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25 artists shortlisted for Contemporary African Photography Prize

From the series Casablanca Not the Movie, 2014–2018 © Yassine Alaoui Ismaili, born in 1984 in Khouribga, Morocco. "Casablanca Not the Movie is a long-term project that I started in 2014. It is both a love letter to the city I call home and an effort to nuance the visual record for those whose exposure to Morocco’s famous city is limited to guide book snapshots, film depictions or Orientalist fantasies. The title of the project references the classic 1942 movie Casablanca, which was not filmed in the city, but rather in a Hollywood studio."

25 artists shortlisted for Contemporary African Photography Prize

Business of Photography by Business of Photography
March 29, 2018
in International, News
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From the series Casablanca Not the Movie, 2014–2018 © Yassine Alaoui Ismaili, born in 1984 in Khouribga, Morocco. “Casablanca Not the Movie is a long-term project that I started in 2014. It is both a love letter to the city I call home and an effort to nuance the visual record for those whose exposure to Morocco’s famous city is limited to guide book snapshots, film depictions or Orientalist fantasies. The title of the project references the classic 1942 movie Casablanca, which was not filmed in the city, but rather in a Hollywood studio.”

A prize for those engaging with Africa or its diaspora, the shortlist includes artists from Nigeria, Ivory Coast, Angola, Uganda, Mozambique, and Morocco, as well as from Europe and America

Founded in 2012 by Swiss artist Benjamin Füglister, the Contemporary African Photography Prize aims “to raise the profile of African photography and encourage a rethinking of the image of Africa”.

Open to photographers from anywhere in the world whose work engages with the African continent or its diaspora, it picks out five winners every year and shows their work at major photography festivals around the world. This year 800 photographers entered, of whom 25 have made it to the shortlist.

From the series Nsenene Republic, 2014–2018 © Michele Sibiloni, born in 1981 in Parma, Italy. “Grasshoppers, ‘nsenene’ in the local language, are both a delicacy and a source of income in Uganda. They migrate en masse twice a year, right after the rainy seasons, flooding the sky in huge flocks before daybreak. Every night, a large part of the population stays up till twilight to hunt and sell them.”

The selected photographers include Westerners now based in Africa such as Michele Sibiloni (now based in Uganda) and Gilles Nicolet (now based in Tanzania), as well as African-born photographers such as Amilton Neves Cuna, Esther Mbabazi, and Phumzile Khanyile. The shortlisted stories engage with a wide range of issues, including female access to swimming lessons in Zanzibar, the economic downturn in Luanda, and female genital mutilation.

The five winners will be announced at Photo Basel International Art Fair in June 2018. They were picked out by an international jury which included: Azu Nwagbogu, director, Lagos Photo Festival, Nigeria; Lekgetho James Makola, director, market photo workshop, South Africa; Jeanne Mercier, curator and editor, Afrique in Visu, France; Yumi Goto, curator and director, Reminders Photography Stronghold, Japan; Shahidul Alam, photographer and director, Chobi Mela, Bangladesh; Peter DiCampo, photographer and co-founder, Everyday Africa, USA; and British Journal of Photography‘s editor Simon Bainbridge.

www.capprize.com

From the series Shadows of Domestic Work, 2016–2018 © Ralph Eluehike, born in 1978 in Ndemili, Nigeria. “This ongoing series is a voyage that uses performance to highlight the various ways in which domestic workers are ill-treated by various individuals or homes. As the name implies, Shadows depicts the negative side of domestic work. Estimates suggests that there are at least 64.5 million domestic workers worldwide. Most of these domestic workers live in abject poverty and lead a life of reckless abandonment.”
From the series Are You Calling Me A Dog?, 2016–2017 © Nura Qureshi, born in 1977 in Bremen, Germany. “In 1963 Kenya achieved independence after a long struggle for liberation that involved men and women mostly from the Kikuyu ethnicity or nation. Nearly sixty years later, no real liberation occurred and the heroes of that time are now slowly disappearing. A great many of the colonial settlers stayed and integrated into the society, while the men and women who fabricated the Mau-Mau liberation fight have been forgotten by newer generations and the elite.”
L’essentiel est invisible pour les yeux, 2014 © Akpo Isola, born in 1983 in Yopougon, Ivory Coast. “In this work the photographer explores the story of her grandmother through the remaining objects from the dowry of her marriage: wooden canteen produced by her future husband, cloths, beads, gin bottles, bowls, mirrors etc. These are goods that the groom’s family brings as a symbol to seal the alliance between two families, two clans, two ethnic groups, materialising their mutual consent.”

Culled from BJP

Tags: AfricanContemporary African PhotographyFemi AkeusolaPhotography
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